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Piotr Grella-Możejko,
composer, literary scholar, essayist, reviewer, translator; also professional graphic artist and pianist. Born on 15 March 1961 in Bytom, Poland. Living in Canada since 1989, Grella-Możejko holds a Ph.D. in Comparative Literature from the University of Alberta in Edmonton, Alberta (supervisor: Jonathan Hart; teachers included Edward Blodgett, Uri Margolin, Edward Możejko, Paul Robberecht, and the late Milan Dimic); an M. Mus. in Composition degree from the same university, where he studied with Alfred Fisher, Henry Klumpenhouwer and the late Christopher Lewis (1993); and an M.A. degree in Political Sciences from the University of Silesia in Katowice, Poland (supervisor: Prof. Anna Mielczarek-Bober). He also took private composition courses with the late Prof. Edward Bogusławski and Prof. Bogusław Schaeffer (1977-83). In 1994, Grella-Możejko was the only Canadian selected to participate in the prestigious “June in Buffalo” Festival and Conference, where he attended lectures by and master classes with Milton Babbitt, Donald Erb, David Felder, Lukas Foss, Roger Reynolds, and Charles Wuorinen. Described by the German press as demonstrating “uncompromising honesty” (Neue Zeitschrift für Musik), praised for his unorthodox aesthetics (Hannoversche Allgemeine Zeitung), and whose work is called “brawny, high-contrast… full of rich counterpoint and compelling textural changes” (The New York Times), “strikingly individual” (The Toronto Star), and “wonderful-sounding” (The Buffalo News, Buffalo, USA) Grella-Możejko has written on commissions from, among others, The Alberta Foundation for the Arts, The Canada Council for the Arts, Canadian Broadcasting Corporation, Canadian Polish Congress, Edmonton Arts Council/Clifford E. Lee Fund, Ensemble MW2, International Conversatorium of Organ Music, Polish Ministry of Culture and Art, as well as Polish Radio, Canadian Music Centre, and The Flanders Festival. In 1997, he won the Alberta Motion Picture Industries Association (AMPIA) Award in Musical Score/Composer category (Black Angels by Cynthia Wells). Other prizes and awards include the All-Polish Composers’ Competition in Łódź, Poland (1985, aennea for guitar solo); the All-Polish Composers’ Competition in Kraków, Poland (1988, Motet for six vocal soloists), and The Pierre Boulez Canadian Composers Competition in Halifax, Nova Scotia (1991, Horror vacui - triptych for strings named by Pierre Boulez in third place). Grella-Możejko is also recipient of the Social Sciences and Humanities Research Council of Canada Doctoral Fellowship (2000-2002) as well as the University of Alberta Beryl Barns Award, Walter H Johns Fellowship, Andrew Stewart Memorial Graduate Prize, Marie Louise Imrie Graduate Award and, in 2004, a professional development grant awarded by The Canada Council for the Arts. Presented in twenty-two countries in centres such as Antwerp, Athens, Basel, Berlin, Bilbao, Dublin, Geneva, Kassel, Kaunas, Kraków, London, Los Angeles, Lausanne, Mexico City, Montréal, New York, Ottawa, Paris, Prague, Princeton, St. Petersburg, Seoul, Toronto, Turin, Ulaanbaatar, Utrecht, Vancouver, Vienna, Warsaw and Zürich, in recent years, Grella-Możejko’s music has been commissioned, played and recorded by symphony and chamber orchestras in Canada and abroad (including orchestras in Edmonton, Halifax, Kraków, Kyiv, Regina, Scarborough, Wroclaw and Polish Radio Orchestra, Warsaw) as well as by such outstanding performers as the Bozzini, Penderecki and Szymanowski String Quartets, ARA Ensemble, Duo Dilemme, Duo Levent, Duo Majoya, Edmonton Saxophone Quartet, Ensemble MW2, The Hammerhead Consort, Hermes Ensemble, Mexico City Woodwind Quintet, Motion Ensemble, St. Crispin’s Chamber Ensemble; flautists Chenoa Anderson, Karin Aurell, Iwona Glinka, Isabelle Schnöller; clarinettists Jean-Guy Boisvert and Harry Sparnaay; saxophonists Laurent Estoppey, Charles Stolte, William H Street, Andreas van Zoelen; violinist Elena Denisova, organists Marnie Giesbrecht, Carson P. Cooman, Stillman Matheson, Stanisław Moryto; pianists Barbara Pritchard, Sylvia Shadick-Taylor, Kathleen Supové, Roger Admiral, Alexei Kornienko, Joachim Segger, and Daan Vandewalle, to mention just a few. His works have appeared in Canada and Europe on Acte Préalable, Arktos, ATMA Classique, Centrediscs, CLEF Records, CML, Eclectra, New Music North, Prairie Sounds and edition zeitklang labels; have been broadcast and published in Canada, Europe and USA; and performed at numerous festivals and concert series across North America, Europe and Asia. A voting member of the Canadian Music Centre, General Manager of the Edmonton Composers’ Concert Society, Grella-Możejko is also producer of the New Music Alberta concert series, and current editor of The Alberta New Music & Arts Review (which he founded in 1997). As a CD producer, he has a dozen releases to his credit, featuring works by almost seventy Canadian and international composers.
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compositions
Melodrama I for solo violin (1981)
Melodrama II for vibraphone and alto saxophone (or flute or trumpet) (1981, 1991)
the first february the last january for 1-4 optional melodic instruments and 1-2 keyboard instruments (1983)
coloratura for Dr. K. for solo bassoon (1983)
Melodrama IV for bass clarinet (1983)
Melodrama V for piano (1983, 1986)
aagyn for one performer for tenor saxophone and piano (1983-87)
zapada zmrok [It Is Dusk] (Giacinto Scelsi in memoriam) for optional melodic instruments and piano (1983-88)
aa69/coloratura for Dennis Prime for solo basset-horn (1983-93)
composizione-monoproiezione per pianoforte (1983-95)
Palestriniana for organ (1984)
aennea for guitar (1985)
ravenna for harpsichord (1985-87)
OBOEnergy (MariusAZIONI) for 1-12 oboes, English horns, oboes damore, bass oboes etc. (1986)
Ordines (Jorge Luis Borges in memoriam) for alto saxophone, organ and cello (1988)
Motet for six vocal soloists (1988)
HAENNA for string sextet (1989)
WOW! (Is My Cat a Rock'n'Roller?) for tape (1990)
micro/macro - concerto for twelve strings (1990, 1995)
Orion (Music for Franz K.) for 1-5 saxophones or 1-5 optional woodwinds (1991)
Epitaph for Jerzy for tape (1991)
The Dreams of Odysseus for tape (1991-92)
coloratura for Charles/disco(n)notation for baritone saxophone & electronics (1992)
Sacrae symphoniae (Christopher Lewis in memoriam) for organ (1992-2000)
Horngardens (Music for Norval Morrisseau) for saxophone quartet (1992-93)
Kyrie for English horn, bass clarinet, bassoon, horn and cello * (1993)
Contra tempus for orchestra * (1994)
metaSonata for alto saxophone and piano (1994)
Ground for flute, clarinet, vibraphone, piano, violin and cello (1994)
Due pezzi for organ (1994-95)
Streams of a Dream - String Quartet No. 1 * (1995)
...noc bezkresna, noc bezsenna... [Endless and Sleepless Night] for flute, clarinet, vibraphone, piano, violin and 'cello (1995)
horyzont zapomnienia [Horizon of Forgetfulness] - 1st Piano Sonata (1995)
Finale for chamber choir (1995)
Monumentum (Józef Koffler in memoriam) for chamber orchestra * (1996)
...river to the ocean... for clarinet and string quartet (1996)
dreamtide for clarinet, violin and marimba (1996)
Time is a River without Banks (coloratura after Marc Chagall) for alto saxophone solo (1996)
mare tenebrarum (Bolesław Szabelski in memoriam – Piano Sonata No. 2) (1996-2000)
maze, haze, mist, daze for flute orchestra (1997)
Doppelgänger (...mein Holzspiel...) for woodwind ensemble (1997)
takussunsittuq for two pianos and two percussions (1997)
Euphonia (Tomasz Sikorski in memoriam) for string orchestra (or string quartet or saxophone quartet) * (1997, 2001)
...dans l'ombre du jardin oubli... for saxophone quartet (1998)
Numen for violin and piano (other versions: for flute, oboe, alto saxophone, viola, cello, double-bass) (1998)
Chiaroscuro for bass/contra-bass clarinet and tape (1998)
Missa instrumentalis for orchestra (1999)
ove 'l mar non ha vanto for violin and piano (1999)
Kinneret (Tommie Lundberg in memoriam) for clarinet or soprano saxophone and vibraphone (1999)
muziek voor van Zoelen (coloratura) for bass saxophone solo and electronics (1999)
ChaconnEncore for alto saxophone solo (1999)
The Secret Garden (Music for Agnieszka Holland) – String Quartet No. 2 (1999-2002)
...where the night awakens... for two pianos and two percussions (2000)
Walzer (Joseph Matthias Hauer in memoriam) for solo piano (2000)
Moon down (for Boudewijn Buckinx) for violin and piano (other versions: for flute, clarinet, alto saxophone) (2000/02)
Anya's Dream for alto saxophone and piano (2001)
Voces intimae (Music for David Roxburgh) for flute, clarinet, piano and string quartet (2001)
Lachrymae (in memory of September 11, 2001) for solo organ (2001)
Ave verum corpus for mixed choir (2001)
Largo (Omaggio a Johann Sebastian) for violin (or flute or clarinet or soprano saxophone) and piano (or organ) (2002)
epitaphios threnos - double concerto for violin, viola and string orchestra (2003)
In memoriam Edward Bogusławski - concerto for organ and string orchestra (2004)
Organigami (Music for Aysha) for flute and piano (2004)
Palomar 1a: after Calvino (coloratura) for (bass) clarinet (2004)
Cinq études sur la tonalité for piano (2004)
Three Nocturnal Postludes for organ (2004/5)
Liebeslieder für Isabelle concert pieces for wind quintet (2005)
Grit Grey Sky for mixed choir (2005)
Notturno for violin and strings or for violin and piano (2005)
Nach(t)gejagd - Piano Sonata No. 3 (2005)
...a Portmanteau of Shaddowes and Chimeras... (coloratura after Peter Ackroyd) for flute solo (2005)
Three Nocturnal Postludes for alto saxophone and string trio (2005)
Four Lines (Farewell Music for Michael J. Baker) for saxophone quartet (2006)
Dream Daemon - concerto for saxophone and chamber orchestra (2006)
TrancePaining (Black Wings Has My Angel) - String Quartet No. 3 (2007)
Mrok for alto saxophone and piano (2007)
Rondeau for optional instruments (2008)
Les Espaces du temps - Piano Sonata No. 4 (2008)
...only Midnight... for two pianos (2009)
Silver Wound for oboe and guitar (other versions: for flute, clarinet, soprano saxophone, violin, trumpet) (2009)
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literature
Słowem - muzyka! [Simply - Music!]. Z Piotrem Grellą-Możejko rozmawia Katarzyna Marczak [Katarzyna Marczak’s interview with Piotr Grella-Możejko], „Studium” 2003 nr 2 (38)
Zmieniłbym wszystko! [I’d change everything!]. Z Piotrem Grellą-Możejko rozmawia Paweł Łukaszewski [Paweł Łukaszewski’s interview with Piotr Grella-Możejko], „Muzyka21” 2000 nr 2
Baker D. T. Symphony brings religious themes to life, „The Edmonton Journal”, November 20 2000
Birtles Bryan Avant garde is new expression, „VUE Weekly", November 27 - December 3, 2008
Chang Sarah The Penderecki Quartet is always plucky for the present, "VUE Weekly", May 10-May 16 2007, str. 51
Copeland Darren Homegrown Festival - NUMUFest Contemporary Music Festival, „MusicWorks” nr 83, Summer 2003
Drwal Karolina Katowiczanin w Edmonton [A Native of Katowice in Edmonton], „Śląsk”, nr 3 (89), marzec 2003
Eatock Colin Coming to Canada. An Interview with alcides lanza, Piotr Grella-Możejko and Rudolf Komorous, „The Alberta New Music & Arts Review”, Vol. I/II, No. 2/3, Summer 1997/Summer 1999
Fefferman Stanley The Penderecki String Quartet, „Showtime Magazine”, March 11, 2007
Fefferman Stanley The Penderecki String Quartet’s Centrediscs CD ”LAUNCHING PAD”, „Showtime Magazine”, September 17, 2008
Godin Scott Edward Edmonton New Music Festival 1992-95, „MusicWorks” nr 62, Spring 1995
Humphreys Stephen Local Heroes: A Subjective Look at the Second Annual New Music Festival, „MusicWorks” nr 58, Spring 1994
Johnston Colleen Penderecki Quartet kicks off Open Ears Festival, „KW Record”, May 20 1999
Laveaux Teresa de Czy można pokochać nową muzykę? [Can One Fall in Love with New Music], „Radar” nr 50, 13 XII 1984
Littler William A most flattering concerto, „The Toronto Star”, March 11 2003
Murray Tom 'No-name' collaboration defies arts pigeonholes, „The Edmonton Journal”, January 23, 2009
Ozipko Jerry An All-Canada Western Winner, „MusicWorks” nr 83, Summer 2003
Ozipko Jerry Koncert na koniec stulecia [A Concert for the Turn of the Century], „Muzyka21” 2001 nr 2 (9)
Pawliszewska Katarzyna Sztuka to tygiel sprzeczności [Art is a Melting Pot of Contraries], „Słowo Powszechne” nr 17, 24-26 I 1987
Prodaniuk Prosper Violins out for violence, "SEE Magazine", May 10-May 16 2007, Nr 702, s. 32
Radoszewski Roman Festiwal muzyki fascynującej [Fascinating Music Festival], „Kultura” nr 3 (33), 15 I 1986
Sarzyński Piotr Kawior na pięciolinii [Caviar on the Stave], „Sztandar Młodych” nr 9, 14 I 1986
Schmidt Elgar Music and Being, „The Alberta New Music & Arts Review”, Vol. I/II, No. 2/3, Summer 1997/Summer 1999
Todd Richard Concert reveals force of new music, „The Ottawa Citizen”, October 29 1999
Toruńska Maria Nowa mowa strun [The New Language of Strings], „Tak i Nie” nr 5 (41), 3 II 1984
Wohlfahrt Hans-Theodor Edmonton ’95 - Befruchtende Konfrontation bei -25˚ Celsius, „Neue Zeitschrift für Musik” No. 3, Mai - Juni 1995
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publications
Earle Brown - Form, Notation, Text, "Contemporary Music Review", Volume 26, Parts 2 & 4, 2007, s. 437-469
Brian Ferneyhough, or, Complexity as a Metaphor of Freedom, "The Albertan Composer", Vol. I, No. 3, Fall/Winter, 1994, s. 15-20
Farewell to the Past or Welcome to the Future? - Arnold Schoenberg's Pierrot Lunaire, "The Alberta New Music & Arts Review", Vol. I/II, No. 2/3, 1999, s. 22-35
Fifty Years of Freedom - Polish Music After 1945, "Canadian Slavonic Papers", Vol. XXXIX, Nos. 1-2, 1997(98), s. 181-208
Helmut Lachenmann - Style, Sound, Text, "Contemporary Music Review" (Routlege UK), Volume 24, Part 1, 2005, s. 57-75
Music as a Soliloquy: Arnold Schoenberg's Violin Concerto, "The Alberta New Music Review", Vol. I, No. 1, 1997, s. 13-18
The New Music, "AlbertaViews", June/July 2000, s. 29-33
When the Sun Rises in the West, or, the Art of Karen Tanaka In: Across Time and Genre: Reading and Writing Japanese Women’s Texts, University of Alberta, Edmonton 2002
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