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"Don Quixote" ballet from Bolshoi Theatre at cinemas in Poland

Don KichotDon Quixote, one of the most popular comic ballets performed by the Bolshoi Theater group, will be screened at nearly 40 cinemas in November, December and January. At Warsaw's Kino Praha cinema, the retransmission will take place on December 2, 2019 at 4.00 pm.

Inspired by heroic stories of brave knights, Don Quixote of La Mancha and his faithful servant Sancho Panza set out on an adventure to meet his ideal woman, Dulcinea. Cervantes’ hero comes to life in the Bolshoi's critically acclaimed staging of this exalting performance. With panache and sparkling technique, principal dancers Ekaterina Krysanova and Semyon Chudin lead the spectacular cast of toreadors, flamenco dancers, gypsies, and dryads in virtuosic dancing that is quintessential Bolshoi. The presentation was captured live on April 10, 2016

The list of cinemas in Poland, where you can watch broadcasts from the Bolshoi Theater, is available here.

Media patronage: Polish Music Information Centre POLMIC.

More information at: http://www.kinopraha.pl

Results of the 4th edition of Polish Music Critics Competition "Kropka"

Meakultura

From among nearly 200 applications, the jury of the 4th Polish Music Critics Competition "Kropka", organized by the Meakultura Foundation, selected winners in four categories.

Grand Prix, funded by the Institute of Music and Dance, went to Rafał Wawrzyńczyk for the text Ciemne centrum (dwutygodnik.com). The Main Prize in the article / column category was given to Aleksander Przybylski for the text Melotypy ("Ruch Muzyczny"), and in the category of review / report –  to Karolina Dąbek for the text Trans jesieni – zmierzch awangardy. Warszawska Jesień 2017 ("Glissando"). The founder of the Main Prize in both categories is the Society of Authors ZAiKS. The honorable mention for the debut, funded by PWM Edition, was given to Przemysław Górecki for the unpublished text Posłuchajmy, co tak gra. Sześć razy Maryla Rodowicz. Dirk Wieschollek received the Special Award for foreign critics for the text Ego-Shooter mit Achillesferse ("Dissonance") devoted to the work of Jagoda Szmytka. The founder of the Special Prize is the Adam Mickiewicz Institute.

The Special Prize of the Fryderyk Chopin Institute was awarded to Adam Wiedemann for the text Zachód słońca (dwutygodnik.com). Piotr Metz's Individual Award went to Olga Drenda for the text The Future Sound of Poland (text accompanying the exhibition "140 beats per minute" at the Museum of Modern Art).

We congratulate all the winners!

Media patronage: Polish Music Information Centre POLMIC.

More information at: http://www.konkurskropka.pl/wyniki 

Podkowa Leśna | 18th Festival "Musical Confrontations": Around Szymanowski – inspirations, interpretations

ZAiKS

The 18th Festival "Musical Confrontations" will be held from December 2018 to March 2019. Festival meetings will take place at the Anna and Jarosław Iwaszkiewicz Museum in Stawisko once a month.

Paying attention to important processes in the history of music, pointing out similar phenomena in literature, emphasizing the special relationships of poetry and music was the main idea and purpose of establishing the "Musical Confrontations" Festival in 2000. The continuation of the Festival after 2015 is possible thanks to the organizational support of the Music Encounters Foundation, affiliate of the Polish Composers' Union. The President of the Polish Composers' Union took the honorary patronage over the undertaking.

This year's Festival will feature compositions by Karol Szymanowski, who was closely related to Jarosław Iwaszkiewicz and Stawisko, as well as works by contemporary composers strongly embedded in Polish culture and, at the same time, seeking universal values in music. The programme of the first concert, which consisted of pieces written by rediscovered composers, was presented with great success at the New York's Carnegie Hall in October this year. 18th "Musical Confrontations" will end with the presentation of Tomasz Lerski's book Jarosław Iwaszkiewicz's Warsaw, a meeting with its author and a concert of contemporary Warsaw composers.

Admission to all concerts is free!

Media patronage: Polish Music Information Centre POLMIC.

Warsaw | Resounds. New Polish Music

Sinfonia VarsoviaThe Sinfonia Varsovia Orchestra invites you to a concert series entitled "Resounds. New Polish Music". During the three meetings (December 1, 2018, January 17 and March 29,2019) we will have an opportunity to hear works commissioned by the Sinfonia Varsovia Orchestra under the “Composer Commissions” programme of the Institute of Music and Dance. The January concert will additionally provide a wider context for newest contemporary music by reaching back to the works of Mieczysław Weinberg on the 100th anniversary of his birth.

A deliberation on time and music will begin at the December concert with Grzegorz Duchnowski’s symphonic poem Polonia Resurrecta, inspired by the 100th anniversary of regaining of Poland’s independence. Historical references will also provide the foundation of the narrative in the second work receiving its first performance that evening – Maciej Zieliński’s Time Capsule. In this work the composer will take listeners on a journey through various periods in history, showing how a symphony orchestra was used in each. The programme of the concert will conclude with the Symphony No. 1 by Jan Duszyński, graduate of the New York Juilliard School. His music is not only heard in concert halls, but also in films, including those directed by Władysław Pasikowski – Pokłosie and Jack Strong.

The second concert in the cycle will focus on the same issue – a resonance of the times in which composers live in their music using the music of composers of earlier generations as examples. We will listen to music from the middle of the 20th century – Mieczysław Weinberg’s Cello Concerto and Dmitri Shostakovich’s Ninth Symphony. The reality of the 20th century resonates in works of these two composers with exceptional vividness. In the year of Mieczysław Weinberg’s 100th birthday anniversary, the world of war and totalitarian regimes that resounds in his works seems to be but a distant recollection. However, the universal nature of problems considered in Weinberg’s music will become apparent when confronted with works written by composers who have come to know tragic events of the past only through history books.

The last concert in the series takes us back to newest contemporary music with two first performances. Paweł Mykietyn and Aleksander Kościów are almost exact contemporaries of Maciej Zieliński, Grzegorz Duchnowski and Jan Duszyński. However, each presents a completely different approach to music. Mykietyn has come to be known as the foremost post-modernist of Polish music. His compositions are unmatched in that there are equally artistically sublime and truly nihilistic, surprised by the fact that there is still something new to be said in music. Aleksander Kościów often directs his creative explorations towards tradition, where he looks for inspiration, taking its individual elements to transform in his works. He is equally a composer as he is a literary artist.

Media patronage: Polish Music Information Centre POLMIC.

More information at:  www.sinfoniavarsovia.org 

Warsaw | Promotion of "The Chopin Yearbook"

TiFC

Press conference on the occasion of republishing "The Chopin Yearbook" ("Rocznik Chopinowski") and issue of volume 26 by the Fryderick Chopin Society will be held on November 29, 2018 at 5.00 in the Ballroom of the Tyszkiewicz-Potocki Palace at 32 Krakowskie Przedmieście Street in Warsaw.

The organizers of the event are: the Frederic Chopin Society and the Institute of Musicology at the University of Warsaw. The Frederic Chopin Society (founded in 1934) in the years 1956-2001 published 25 volumes of "The Chopin Yearbook", after which this activity was suspended. The editors of the "Yearbook" were outstanding musicologists and pianists, including Józef Michał Chomiński, Zbigniew Drzewiecki, Jan Ekier, Kazimierz Sikorski, Zygmunt Mycielski. The aim of the "Yearbook" is to present the state of research and the latest trends in contemporary Chopin studies in Poland and the world.

Volume 26 was issued thanks to the financial support of the Minister of Culture and National Heritage and the National Institute of Polish Cultural Heritage Abroad "Polonika". After the official part, Thomas Prat (France) will perform a piano recital filled with Fryderyk Chopin's works. Admission free!

Warsaw | Concert of The FCUM Brass and Woodwind Band

UMFC

On November 28, 2018 at 7.00 p.m., there will be a concert of the FCUM Brass and Woodwind Band as part of the cycle "Wednesday on Okólnik Street".

The programme of the musical evening in the Concert Hall of the Fryderyk Chopin University of Music will include: Clarinet Concert in B flat major by Karol Kurpiński, Vienna Philharmonic Fanfare by Richard Strauss, Petite symphonie, Op. 90 by Charles Gounod, Memorial to Lidice by Bohuslav Martinu, Polonaise for Friends by Maciej Małecki, Suite Française by Darius Milhaud, and Two-Bone Concerto for two trombones and orchestra by Johan de Meij.

Maciej Małecki's work was commissioned by the United States Air Force Orchestra in Europe and combines two national anthems: Poland and the United States. This stylistic treatment is a symbol of friendship between the two countries. Placing the work in the program of the Wednesday concert has a special dimension, as the Orchestra will be led by the American conductor Robert W. Rumbelow – the first conductor of the university band.

Tickets for PLN 15 on sale from November 14, 2018.

Media patronage: Polish Music Information Centre POLMIC.

Bydgoszcz | 4th International Conference " Interpretations of a musical work. Nationality and universal values"

AM Bydgoszcz

The 4th International Conference "Interpretations of a musical work. Nationality versus universal values ​​" will take place on November 27-28, 2018 at the Feliks Nowowiejski Academy of Music in Bydgoszcz as a continuation of the series of symposia under the name" Interpretatio artis musicae ".

Igor Stravinsky postulated not to "fetishize one's nationality, because art should strive for universal values and link all people into one community, embracing the idea of beauty and a search for eternal truth and common good". Karol Szymanowski, speaking on the subject of social functions of Polish music, appealed: "let it be «national» in its racial separateness, but let it strive fearlessly where its values ​​become universal." The 21st century, the age of globalization and the universalization of culture, encourages to ask questions about the currency of the discourse that puts on the one scale the artist's national identity and the art he or she creates, and on the other the universalism of artistic attitudes.

During the conference, issues of national identity in music, functions of folklore in creating musical works, aesthetic polemics, which influenced the dissemination of specific attitudes in music, and self-reflection as a testimony of specific aesthetic attitudes will be discussed.

Concerts, including repertoire of works by Polish and Ukrainian composers, are an integral part of the conference.

DOWLOAD: Conference Programme

Warsz\wa | "Debussy – our contemporary"

Nowy teatrThis year, the Chain Ensemble celebrates the centenary of Claude Debussy's death with a series of miniatures referring to the aesthetics, inspiration and sound of the French composer's The works will be premiered on November 27, 2018 at 7:00 p.m. on the stage of Nowy Teatr in Warsaw.

This six-part collection is a tribute to the composer, an innovator of harmony, and a musical poet, who had a huge influence on the development of contemporary music. Witold Lutosławski referred to Debussy, quoting the opening motif of Pelléas and Mélisande in his Grave.

The programme of the concert will include: Claude Debussy – Sonata for flute, viola and harpDanse sacrée et Danse profane for harp and strings, Witold Lutosławski – Grave. Metamorphoses for cello and piano, and a world premiere of a series of Debussy miniatures – "Our contemporary": Aleksander Kościów – H.aC.D., Lidia Zielińska – Fossil, Tadeusz Wielecki – Elusiveness, Grażyna Pstrokońska-Nawratil – At zenith, Maciej Jabłoński – Linen, Sławomir Wojciechowski – Claude.

The organiser of the concert is Witol Lutosławski Society. Project is co-financed by the Capital City of Warsaw and the Ministry of Culture and National Heritage.

Information on tickets at: http://www.nowyteatr.org

Łódź | 6th AŻ Festival

AM Lodz

The Academy of Music in Łódź invites you to the sixth edition of the AŻ Festival. The programme of eight concerts will be dominated by two topics: Polish music and games of imagination. Inauguration of the Festival – November 17, 2018.

The inauguration concert will feature works by Krzysztof Penderecki, Krzysztof Olczak and composers associated with Łódź: Olga Hans, Sławomir Kaczorowski and Maciej Kabza. During the final concert, which will take place on December 1, we will hear Piano Concerto in A minor, Op. 17 by Ignacy Jan Paderewski with an outstanding soloist Kevin Kenner, Exodus by Wojciech Kilar and Radogoszcz dramatic overture by Antoni Szewczyk. The Concert of Polish Music on the occasion of the 100th anniversary of Poland regaining independence will take place on November 27 and will be filled with works by Stanisław Moniuszko, Karol Mikuli, Mieczysław Karłowicz and Grażyna Bacewicz in the interpretation of the Academy's pedagogues, including university's rectors – professors Cezary Sanecki (piano) and Beata Zawadzka-Kłos (soprano). The programme of the next five evenings will cover Polish film music (Wojciech Lemański, Krzesimir Dębski), percussion (Anders Åstrand, Lawrence Ugwu, The Bacewicz Percussion Ensemble) and choir music.

All concerts of the 6th AŻ Festival begin at 6.00 p.m. in the Concert Hall of the Music Academy (2a Żubardzka Street), tickets for 30 PLN and 20 PLN to be purchased at the AM ticket office.

Media patronage: Polish Music Information Centre POLMIC.

More information at:  http://www.amuz.lodz.pl